In the Morning Mail

white and black cow head

One of the mixed blessings of having moved to Colton, South Dakota (population about 700 or so) has been that mail delivery in town …isn’t actually a thing. Mail is delivered promptly by 9:30am, Monday through Saturday not to a box on our front step, but to a box in the town post office, about a ten-minute walk away, if you’re going at a leisurely pace. Sam and I normally trade off going to get the mail, but since I returned from our latest mother-son road trip to Wyoming, I’ve been stuck on Mountain time and I’m still in wake-up mode. Not proud of that confession, but there it is.

So, one of us –lately Sam– heads off at 9:30 to the post office. It’s been hot here the last few days, but not too bad at that time of day. We had about a weeklong reprieve of pristine June weather –crystal clear blue skies and 70 to 75 degrees, the kind that makes the grass grow enough to need a weekly mow. But now, we’ve returned to humidity and 90’s since Wednesday. The kind of late June / early July weather that makes the corn grow, or so I’m told.

This morning’s sole piece of mail was a postcard advertisement for a farm open house. Not exactly a novelty around here, I thought as I turned it over. Most of our congregation by a large margin are farm families. For most of them to “See Baby Calves – Watch the Milking” as the postcard suggests would be what my mom would call a “busman’s holiday.” Or maybe something like when my dad came along with my mom (who got her driver license at thirty-something) to the grocery store. If he came in with us, it was usually to do sales research. He worked for a place that printed a lot of food packaging labels, so a trip to the grocery store meant the possibility of finding a new local customer. I could imagine some of the local farm neighbors dropping in to see what new equipment or technology this “modern dairy farm focused on sustainability” has –or doesn’t have. Size up the competition, possibly? Do farmers do that sort of thing? I haven’t been here long enough to know.

At any rate, it struck me as an odd thing, getting a farm open house invitation out here. Not sure how far and wide into Sioux Falls these invitations flew, but if I were to go, I’d be most interested in their claim to “capture Renewable Natural Gas from cow manure.” Farmers:1, Vegans: 0 on that scale, I guess. I am encouraged that this local farm is reaching out to the ordinary public, probably the sort that couldn’t explain how the meat that comes in plastic packaging gets in there, or whose kids might think milk comes from a plastic jug or a paper carton instead of from the underside of a cow (ew!). Yes, those kinds of people live in South Dakota, too. They’re just harder to find. And more education can’t be a bad thing in that case. Especially when it comes with free ice cream.

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A Rather Cynical Look at “Writer’s Block”

silver macbook on white table

Does anyone actually still read books in 2022? Forget books –does anyone even still read blogs in 2022?

Going even further, does anyone read anything longer than a web page in 2022? Maybe that’s the more appropriate question. I started reading Nicholas Carr’s The Shallows a few weeks ago (spoiler alert/confession: I scanned the final four chapters because I lost interest), and since then I’ve been questioning how much and how permanently not just society’s reading habits have changed, but my own have as well.

Sure, most of us spend multiple hours behind a glowing screen or carry one around with us all day, but does that kind of reading even count? One of Carr’s main arguments is that the convenience and pervasiveness of the internet has harmed our ability to focus on longer, more complex reading tasks. Instead of sitting at the breakfast table behind a newspaper (which is really, I suppose, another type of scan-reading), or instead of reading a book in the recliner on Saturday afternoon or in the evening after supper, we get our hits of information from short bursts of reading. Snatches of ideas. Little snacks of information rather than balanced meals of knowledge that come with reading whole books or reading multiple pieces on a given subject. In addition to losing our collective attention span, what we’ve lost –and what I see as the biggest danger– is context.

And just as deep reading in context is lost, what I see from my own personal internet habits since I’ve returned home for work is the ability to write well. I’ve seemed to forget how writing is HARD. Well, good writing is hard. First-draft blogs like this one are less hard, but even now, I’m realizing that while I started out with a germ of an idea, it’d have been far better to have built even a sketch of an outline. What do I want to say? What’s the point, anyway? I’m not sure I could’ve answered when I typed the tentative title.

I’ve abandoned Facebook for about two years now, but I’ve kept an on-again, off-again Twitter account, and that also is an entirely different sort of first-draft writing. I don’t really feel the need a plan to compose 280 characters or less on what I did last weekend or to blurt out a reaction to the latest outrage trigger. –Of course, I try to avoid the latter. A growing annoyance with contextless outrage posting was the main reason for abandoning Facebook and the reason I have an arms-length, skeptical relationship with my Twitter account. How much can you really change the world for the better with a 280 character post, anyway? I suppose it’s been done, but I struggle to find an example.

While I’ve heard many writers (especially in the early days of Twitter) claim that the 280 character limit is a helpful constraint and good practice at building maximal meaning in a minimum of words, what it’s done for me is far more insidious. I find that after dropping several of the writing habits I kept during my undergraduate classes and my MFA (daily journaling, regular deep reading, revision), I now tend to prefer the lazy route. Most of what I’ve written since May has been half-hearted morning pages every few days when I feel like it and a couple Twitter responses or posts a day. Not surprisingly, writing a longer piece now seems insufferably difficult. I started two pieces in the last few months in the old-fashioned manner, pen and paper to try and get my groove back, and I’m finding that what I end up with is something more like a jumble of disjointed notes than a cohesive first-draft of an actual essay. Things go all over the place. I typically hit my stride (and figure out my “what’s this really about”) around page three, … and then I lose the energy and focus to continue. I leave a bulleted list of possible future paragraph points and I tell myself I’ll come back to it later. And then when I do, I’m so disgusted by my lack of coherence that I abandon what I have and follow a different path.

Some might call this writer’s block. What this ramble is telling me, however, is not that I’m blocked. I’m out of shape.

As to what’s caused that, I’m not certain that I can solely blame the internet. Sure, my habits there don’t help matters at all, but there’s something else going on, and I think the answer lies in a lack of discipline overall. I’ve reestablished the habit of a daily walk, and found I’d forgotten how much the combination of physical activity, getting outdoors, and being able to listen through the noise in my head helps me see things more clearly. I’m forcing myself as I write this to finish my idea, something I rarely do any more through my morning pages. I know that morning pages aren’t supposed to have a point, necessarily, but I’ve been so frustrated with the lack of direction that’s shown up there that I’ve nearly abandoned the practice. It’s not the morning pages, though, just like it wasn’t just the internet or even just social media. It’s a bigger problem of losing the practice of doing deep work. Of paying attention. Of remembering why I do this. Without ideas, writing is pointless, and I think therein lies my problem: good ideas come at a cost. They require focus and discipline and work to wrangle them into words that have power to change things for the good.

At the risk of unwinding my whole point here with cheesy nostalgia, here’s where I insert the clip from my childhood memories of Debbie Allen from Fame since this came to mind, and I’ll end my ramble here for today.

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On Wednesdays, we blog? On Writing Habits and Doing the Work

black pencil on white paper

One side effect of this new at-home working, (very) freelance writing lifestyle is that I forget far too often what day it is. I seem to have lost my sense of routine. The daily routine is coming together, but the weekly rhythms are still a bit wobbly. For instance, this morning I opened my laptop and typed “On Tuesdays, we blog.” …But it’s not Tuesday, I quickly discovered. I’d fully intended to put a ramble of some sort or another up yesterday, but either or both the muse and the time got away. One of my objectives for the month is to get this little corner of the internet rolling on a regular basis again, if for no other reason, to get some words out into the world again.

A favorite quote of mine is from John Darnielle, from back in the days when we had writing conferences. At the Calvin Festival of Faith and Writing back in 2016, he said, “Writer’s block is a bourgeois luxury,” to an audience of understanding writers. I think at the time, the line was delivered with a bit of frustrated derision, and received with knowing laughter and awkward applause. His point was that if we claim to write for an occupation, we need to develop the discipline of showing up. The habit of AIC: “ass in chair” –or more delicately, “butt in seat,” as Anne Lamott and others have written. If we show up, the words will follow, because the words are material, not an ethereal substance that floats in through the window given the perfect circumstances. A carpenter doesn’t get to claim “builder’s block.” No, she grabs the tools and the lumber and gets to work. Simple enough, right?

Until it’s not.

Until this year, I had a backlog of ideas. College and grad school broke the dam that had been holding back twenty years of writing material. I could drop everything and write three pages on dryer lint. Seriously. So, going from that to …silence? This is deeply disturbing to me. I have plenty of life going on, don’t get me wrong. A complete life shift, completely unexpected. Parenting teenagers who are turning out profoundly different than I’d expected. Re-examining long-held beliefs. Gaining new perspectives on things I took for granted as fact. And yet, the words aren’t following the life experiences this time. Nor are they guiding my way through all of this. Some of this is due to the fact that I know now that some stories must age. Some stories aren’t mine to tell. Some stories shouldn’t be out in the world at all, but settle in the pages of my journal. Maybe some of this chapter of my life will wind up in words, but for now, the time isn’t right.

So, now what? All this time at my disposal, and I’m struggling to find things to write about. First world problems, I’m sure some of my writer friends who’d kill for just a weekend free of other responsibilities to do some dedicated writing would say. Well, for now, I’m reading again, surrounding myself with gorgeous writing. Debra Marquart’s The Night We Landed on the Moon is on my reading table, along with Kathleen Norris’s Dakota. I’m becoming inspired from Marquart’s work to take things in pieces. Just focus on an individual scene, an single scrap of memory, and go deep with it. Maybe that’s enough for this season of writing. Sculpt the beads and wait for the thread that connects them all to appear. Dakota reminds me that yes, other people really write this kind of stuff –books that connect place and meaning. Reading Dakota for the first time gave me permission to write the things that go through my head, and encouraged me that an audience for that kind of writing is out there, even if there might not be enough of them to routinely put that kind of beauty and depth onto the New York Times bestseller list. In a world where shock, fear, and outrage gets everyone’s attention, it’s good to remember that getting attention is only part of the problem of finding your readers.

Well, that’s where I am on this Wednesday morning. Doing the work, even if it’s just “writing about writing,” something that I remember so bugged a fellow student in my MFA cohort. I think I get why, but …well, it’s not going to stop me. At least not this morning.

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On Anxiety (and Twitter)

Image by Naturelady from Pixabay

Seems to be a common thing these days, being a little more high strung and quick to pounce. Join a particularly contentious election year with a pandemic (and serious divisions as to how to fight it, avoid it, and live with it) and you’re bound to stumble into that, and its cousin —anger.

I quit social media entirely last September after I had a near-miss. A tweet I’d made was misinterpreted by someone who was concerned enough about it to mention it in an email to several people where I am employed, but oddly, wasn’t concerned enough about it to contact me personally. It wasn’t a Karen moment, just an ill-thought-out blurt. Unwise, but not fireable. Still, it made me think very carefully about whether social media was really worth the time I spent on it. Whether it was worth the second thoughts every time I wrote a post. Check my followers list, try to read it through their eyes. Make sure I was being clear, kind, wise, and speaking grace. Being that I was in the throes of my first semester teaching, I decided fairly quickly that it wasn’t worth the worry. I deleted my Facebook and my Twitter.

I found that once I got that knee-jerk sit-at-computer-type-facebook.com reflex out of my system, I didn’t miss it. Much. Okay, I missed a few of the friends —acquaintances and people I knew long ago and/or far away — but I really didn’t miss the format. I didn’t miss the foolish posts, the pot-stirrers, the “copy and paste this…,” the cute kitten posts. I certainly didn’t miss the nagging in my mind about whether the thing I’d posted earlier that day would get the wrong kind of attention.

But I started this new corner of the blogosphere in December, looking for a place of my own, a place where I could write in more than 144 characters or however many Twitter allows these days. Granted, I don’t really have an audience yet, but I’m working on it. And one of those ways, I decided, to build an audience was to return to Twitter. It’d been so long that they really actually did delete my account, so I had to start over. I’ve enjoyed it for the most part, but most of the time I’ve spent there, I’ve had my account set so that only my followers can read my tweets. I reassembled my follow list, found the people whose comments I found either interesting or edifying or thought-provoking. Twitter’s a great resource for writers. It’s a great way to get advice from people I’ll never meet in person, to get a glimpse into their everyday normal life. So, I reactivated. But I still sort of regret it sometimes.

With starting a new account comes the anxiety of posting and replying again. I’ve started a new habit of deleting my old posts at the end of the month, knowing all the while that when they say “the internet is forever,” they mean it.

And that takes me back around to the whole enormous risk anyone takes when they write. Now, this place feels safe to me. My audience of five (on a good day) isn’t terribly commentary. I haven’t started any arguments here, but it feels like a place where there’s more context. I have more space and more time and the ability to edit. But writing at all is always a risk. Where I land at the end of the argument with myself over whether to leave my words out there hanging on the page or in the air or on the forever internet is the fact that no matter how carefully I write, there’s always the possibility someone’s going to misread me. Take offense. Get hurt. It’s happened before. I’d be willing to bet that every seasoned writer has a story of such things happening.

Intent is a tricky thing. I can have all the best intentions and deeply wound someone with my words. A knife is a knife. I can be innocently cutting a slice of bread and catch my finger. My intent —to slice the bread— doesn’t stop the bleeding or the pain. I think words can be the same way. But then, the wound is sometimes a teacher also. Next time, I think as I head for the cabinet for a bandage, I’ll hold my knife differently. Next time, I’ll know better. Maybe it’s the same way with Twitter.

I sure hope so. For now, I can live with the anxiety. Maybe one day I won’t and my account will disappear, but today, the learning experiences are worth the risk.

“Do the best you can until you know better. Then when you know better, do better.”

—Maya Angelou

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